Films preserved by

Chicago Filmmakers ( )

America’s in Real Trouble (1967), rapidly edited deconstruction of patriotism by Tom Palazzolo (2005 Avant-Garde Masters Grants).
At Maxwell Street (1984), Tom Palazzolo’s profile of the legendary Chicago hang-out and the characters it attracted (2006 Federal Grants).
Bride Stripped Bare (1967), playful documentary by Tom Palazzolo about the unveiling of the Picasso sculpture in Chicago’s Daly Plaza (2005 Avant-Garde Masters Grants).
Burials (1981), conclusion of Allen Ross’s trilogy about his dying grandfather (2004 Federal Grants).
He (1967), Tom Palazzolo’s homage to the gritty Clark Street neighborhood of Chicago (2005 Avant-Garde Masters Grants).
Jerry’s (1976), Tom Palazzolo’s portrait of a colorful, fast-talking deli owner (2006 Federal Grants).
Love it/Leave it (1972–73), Tom Palazzolo’s critique of patriotic fervor during the Vietnam War (2006 Federal Grants).
O (1967), Tom Palazzolo’s first film, a montage of circus acts, drag races, and street life (2005 Avant-Garde Masters Grants).
Papa (1979), part one of Chicago filmmaker Allen Ross’s trilogy about his dying grandfather (2003 Federal Grants).
Tattooed Lady (1968–69), Tom Palazzolo’s portrait, shot at the Riverview amusement park (2005 Avant-Garde Masters Grants).
Thanksgiving Day (1979), part two of Chicago filmmaker Allen Ross's trilogy about his dying grandfather (2003 Federal Grants).