Films preserved by

Electronic Arts Intermix ( )

Altered to Suit (1979), conceptual artist Lawrence Weiner’s improvisatory vignette set in New York City (2008 Avant-Garde Masters Grants).
Audience (1983), Barbara Hammer’s study of reactions to her films among female viewers in four cities (2017 Avant-Garde Masters Grants).
Body Collage (1967), performance film by Carolee Schneemann (2006 Avant-Garde Masters Grants).
Double Strength (1978), Barbara Hammer’s depiction of the stages of the relationship between two female performance artists (2017 Avant-Garde Masters Grants).
Dream Age (1979), Barbara Hammer’s tale of an elderly activist sending her younger self on a spiritual mission around San Francisco Bay (2017 Avant-Garde Masters Grants).
Illinois Central Transposed (1968), performance film by Carolee Schneemann (2006 Avant-Garde Masters Grants).
Jane Brakhage (1974), documentary portrait by Barbara Hammer (2017 Avant-Garde Masters Grants).
Meat Joy (1964), performance film by Carolee Schneemann (2006 Avant-Garde Masters Grants).
Menses (1974), outdoor celebration of female body cycles by Barbara Hammer (2017 Avant-Garde Masters Grants).
Multiple Orgasm (1977), experimental film by Barbara Hammer (2017 Avant-Garde Masters Grants).
Plumb Line (1968–71), Carolee Schneeman’s autobiographical portrait of the end of a romantic relationship, reworked from scrap diary footage (2022 Avant-Garde Masters Grants ).
Psychosynthesis (1975), autobiographical film by Barbara Hammer (2017 Avant-Garde Masters Grants).
Snows (1967), performance film by Carolee Schneemann (2006 Avant-Garde Masters Grants).
Superdyke (1975), Barbara Hammer’s feminist fantasy of Amazons taking over San Francisco (2017 Avant-Garde Masters Grants).
Truth is the Daughter of Time (1975), autumnal celebration of nature and women’s rites by Barbara Hammer (2017 Avant-Garde Masters Grants).
Viet-Flakes (1965), Carolee Schneeman’s anti-war compilation of photographs of Vietnam War atrocities (2022 Avant-Garde Masters Grants ).
Water Light/Water Needle (1966), performance film by Carolee Schneemann (2006 Avant-Garde Masters Grants).
Women I Love (1976), Barbara Hammer’s film portraits of friends and lovers at work, play, and in nature (2017 Avant-Garde Masters Grants).