Films preserved by

Film-Makers' Cooperative ( )

Bogus Boxing Trash, Part One (1969), part one of rock critic Richard Meltzer’s epic film on boxing (2014 Federal Grants).
BreathDeath (1963), black comedy collage-animation of photos and newsreels by Stan VanDerBeek (2018 Avant-Garde Masters Grants).
A Dam Rib Bed (1964), oneiric two-screen expanded cinema by Stan VanDerBeek (2018 Avant-Garde Masters Grants).
Dialogue with Ché (1968), experimental underground film by José Rodriguez Saltero, with Venezuelan artist Roland Pena as Ché Guevara and Taylor Mead as his CIA nemesis (2016 Avant-Garde Masters Grants).
Little Red Riding Hood (1978), artist Red Grooms’ comic retelling of the classic fairy tale (2005 Partnership Grants).
The Match That Started My Fire (1992), Cathy Cook’s exploration of female sexuality through found footage and the candid stories of 20 women (2021 Avant-Garde Masters Grants).
Poemfield Nos. 2, 3, & 7 (1967–71), three entries in Ken Knowlton and Stan VanDerBeek’s early computer animation series that translated poems into coded visual messages (2016 Federal Grants).
See Saw Seems (1965), meditative study of illusion and metamorphosis by Stan VanDerBeek, created from painted-over photographs (2018 Avant-Garde Masters Grants).
Shades and Drumbeats (1964), Andrew Meyer’s tale of unrequited love (2012 Federal Grants).
Skullduggery Part 2 (1960), Stan VanDerBeek's anti-authoritarian combination of animation and live-action footage of world leaders (2018 Avant-Garde Masters Grants).
Tappy Toes (1968–70), Red Grooms’ underground parody of the Hollywood backstage musical (2005 Partnership Grants).
What Who How (1957), Stan VanDerBeek's first film, a surreal animated collage (2018 Avant-Garde Masters Grants).
Wheeeels No. 1 (1958), Stan VanDerBeek's comedic take on America's infatuation with cars (2018 Avant-Garde Masters Grants).
Wheeeels No. 2 (1958), farcical exploration of American car culture by Stan VanDerBeek (2018 Avant-Garde Masters Grants).