2010 Federal Grants

21st Biennial Convention of the Chinese American Citizens Alliance

(1951), documentary of the civil rights group’s five-day conference in the Bay Area, made at the behest of attorney Y.C. Hong, the alliance president (Huntington Library).

Adirondack

(1950), early Ansco color footage of the Adirondacks shot by hiker and conservationist Elizabeth “Fessy” Washburn (Adirondack Forty-Sixers).

Alaska Bush

(1920s), footage of an Arctic hunting expedition led by Harold McCracken, the prolific nature writer and Western art historian (Buffalo Bill Center of the West).

American Jews Abroad

(1932–39), three home movies from families that traveled through European Jewish communities in the 1930s (United States Holocaust Memorial Museum).

Auburn Automobile Company Picnic

(1920s), corporate event film from an early American car manufacturer (Auburn Cord Duesenberg Automobile Museum).

Beaux Arts Ball

(1973–75), home movie of celebrations sponsored by the Tavern Guild of San Francisco, the association of gay bar owners which became one of the first gay business organizations in the United States (ONE National Gay & Lesbian Archives).

Blessed Are the Peacemakers

(ca.1956), interview with Rev. Martin Niemöller, an anti-war activist and concentration camp survivor (Swarthmore College).

Bless Their Little Hearts

(1984), Billy Woodberry’s study, filmed by Charles Burnett, of a struggling African American father in Los Angeles who cannot find a job (UCLA Film & Television Archive).

Bristol, Tennessee Newsboy Soapbox Derby

(ca. 1955), contest film made by the Bristol Herald-Courier, the event’s sponsor (Tennessee Archive of Moving Image and Sound).

Ceremonial Dances of the Pueblo Indians

(1934), performances of the Buffalo Dance and the Flag Dance at San Ildefonso Pueblo (Montana Historical Society). Play film

Charles Wesley Lee Collection

(1955–60), footage of the Civil Rights protests near Buffalo, New York, shot by the African American news cameraman (George Eastman Museum).

The Chicago Maternity Center Story

(1976), profile of the 75-year-old community-based health organization that provided home birth services to low-income women (Kartemquin Films).

Chilhowee Park Opening Day

(1948), account of the opening of a Knoxville, Tennessee playground, which was constructed with funds raised by children (Tennessee Archive of Moving Image and Sound).

Christopher Street Gay Liberation Day

(1971), footage of the celebration, shot by feminist activist Kate Millet and her crew (UCLA Film & Television Archive).

Cinemicrographic Films by Warren H. Lewis

(1932–39), time-lapse documentation of microscopic cellular processes, filmed by the distinguished embryologist (Johns Hopkins University).

Concello Troupe Film

(1937), only known footage of the Flying Concellos, the renowned husband-and-wife trapeze act (Illinois State University). Play film

Concerto

(1945), Oskar Fischinger’s study inspired by the music of Johann Sebastian Bach (Center for Visual Music).

Country Music U.S.A.

(ca. 1972), narrated orientation to Nashville’s country music scene that greeted visitors to the Country Music Hall of Fame in the mid-1970s (Country Music Hall of Fame and Museum).

Gasparcolor Tests

(1933–34), color film experiments by Oskar Fischinger (Center for Visual Music).

Gilbreth Collection, Part 3

(1940–60), time efficiency studies conducted by Lillian Gilbreth (Purdue University). Play film

Glimpses of Life Among the Catawba and Cherokee Indians of the Carolinas

(1927), anthropologist Frank Speck’s film of Catawba culture (University of Pennsylvania Museum of Archaeology and Anthropology).

Graduation Ceremonies and Other Events

(1929–38), edited footage of special events at one of the oldest American educational institutions for children with hearing loss (Rochester School for the Deaf).

Growing Baby Beef in Montana

(1933–34), ranch manager Glenn C. Morton’s documentation of work at the Green Ranch (Montana Historical Society). Play film

H. Lee Waters in Burlington

(1939–40), film from the Movies of Local People series shot by the itinerant filmmaker (North Carolina State Archives). Play film

Homemade

(1966), experimental dance piece featuring a film projector attached to the dancer's back (Trisha Brown Dance Company).

The Hudson Shad

(1973), George Stoney’s documentary about the campaign to clean up the Hudson River, narrated by Pete Seeger (University of North Carolina at Chapel Hill).

In Artificial Light

(1983), Curtis Royston’s portrait of New York artists Lisa Fox, Jim Self, Norman Penn, Curtis Royston, and Madonna Ciccone before her breakthrough to stardom (New York University).

Incontinence: A Diarrhetic Flow of Mismatches

(1978), Manuel DeLanda’s take on Who’s Afraid of Virginia Woolf (Anthology Film Archives).

Inspiration

(ca. 1916), Rhode Island–made crime feature centered on a jewel theft (Rhode Island Historical Society).

In the Moonshine Country

(1918), newsreel scenic showing Appalachian culture and life (Knox County Public Library).

The Itch Scratch Itch Cycle

(1977), tense argument envisioned by Manuel DeLanda (Anthology Film Archives).

Judgement Day

(1983), Manuel DeLanda’s opus on the end of the world as seen by cockroaches (Anthology Film Archives).

Key West in the 1940s

(ca. 1946), color home movies of the Florida Keys (Florida Moving Image Archives).

Kidnapper’s Foil

(1949), itinerant filmmaker Melton Barker’s town portrait of Bristol, Tennessee, inspired by the Our Gang series and starring local children (Tennessee Archive of Moving Image and Sound). Play film

Knox County Schools

(1957), portrait of the county’s progressive K–12 school system, created by filmmakers Vic Weals and Max Chastain for the local Board of Education (Knox County Public Library).

Lady of the Dugout

(1918), Western starring reformed outlaw Al Jennings, playing himself (Library of Congress).

Land of the Zuni and Community Work

(1923), life at Zuni Pueblo as documented by the Museum of the American Indian/Heye Foundation (National Museum of the American Indian, Smithsonian Institution).

Leadbetter Collection

(1931), home movie of the mill ran by the John MacGregor Corporation to produce wooden spools for sewing thread (Northeast Historic Film).

Life on the Circle Ranch in California

(1912), documentary about a movie-making ranch in Santa Monica (UCLA Film & Television Archive).

Mantrap

(1926), sparkling comedy starring Clara Bow (Library of Congress).

Mattachine Newsreels

(1973), home movie compilations by Harold Call that were shown by the Mattachine Society, one of the country’s first gay rights organizations (ONE National Gay & Lesbian Archives).

Meshie: Child of a Chimpanzee

(1930–34), home movies of the chimpanzee raised by museum curator Harry Raven alongside his children (American Museum of Natural History).

Mexican Filibusters

(1911), Kalem adventure in which a fearless pair of Mexican American arms smugglers help revolutionists (Museum of Modern Art).

The Mirror

(1950), award-winning amateur thriller by Arthur H. Smith about a mirror which reveals the future (Center for Home Movies). Play film

Money at Work

(1933), depression-era short sponsored by the American Bankers Association to restore confidence in small-town banks (Hunterdon County Historical Society).

Mr. Story

(1971), portrait of an 88-year-old resident of Bloomingburg, New York, sketched by DeeDee Halleck and Anita Thacher (New York Public Library).

Norma Willard Collection

(1921), promotional film demonstrating the assembly of the Skene sectional boat (Northeast Historic Film).

Not By Might

(1950s), interview with pacifist A.J. Muste, a leader of the Fellowship of Reconciliation, about nonviolent action and social change (Swarthmore College).

Nyimsao & Kheseto: A Tale of the Naga Hills

(1930), ethnographic narrative about the Naga people, shot along the India-Myanmar border (American Museum of Natural History).

Our Southern Mountaineers

(ca. 1918), newsreel scenic showing Appalachian culture and life (Knox County Public Library). Play film

Passing of the Oklahoma Outlaw

(1915), fragment of a Western docudrama in which lawman Bill Tilghman, playing himself, captures the Wild Bunch (Library of Congress).

Peanut Picking, Ichauway Plantation

(1942), home movies of sharecroppers on the estate of Robert W. Woodruff, then president of the Coca-Cola Company (Emory University).

Quetzalcoatl

(1961), documentary about the fresco created for the college by Mexican artist José Clemente Orozco (Dartmouth College). Play film

Roaches’ Lullaby

(1973), humorous documentary by Eliot Noyes and Claudia Weill in which three zealous New York roach-haters share extermination techniques (New York Public Library). Play film

Romance of Water

(1931), sponsored film about Los Angeles’s water projects (UCLA Film & Television Archive).

Roy Acuff on Tour

(ca. 1954-55), home movies by a Roy Acuff fan who filmed the Country legend on tour (Country Music Hall of Fame and Museum).

The Seventh Day

(1970), student-made documentary about the May 1970 strike at the university following the Kent State shootings (Portland State University). Play film

Spying

(1978), Joe Gibbons’s experimental film blurring the boundaries between public and private space (Bard College).

The Tourists

(1912), Biograph comedy set in Albuquerque, New Mexico, featuring Mabel Normand (Museum of Modern Art).

Twenty-Three Films by Stuart Sherman

(1977–93), a key figure in the New York theater scene, whose work often involved the witty transformation of everyday objects (Anthology Film Archives).

Twin Peaks Tunnel

(1917), sponsored film celebrating the construction of the trolley tunnel that opened settlement of western San Francisco (Niles Essanay Silent Film Museum). Play film

UNC vs. Duke Football Game

(1948), with the celebrated touchdown by Charlie “Choo Choo” Justice (University of North Carolina at Chapel Hill).

Visiting with the Eskimos of Smith Sound

(1930), educational film by Arctic explorer Donald B. MacMillan about the indigenous people of northwestern Greenland (Bowdoin College). Play film

A Visit to Indiana

(1970), Curt McDowell’s wry ode to his home state of Indiana (Pacific Film Archive).

Walking on the Wall

(1971), gravity-defying dance piece performed along the walls of the Whitney Museum (Trisha Brown Dance Company).

Warden Family Travel Collection

(1934–35), home movies of the first American archeological excavation in Iran (University of Pennsylvania Museum of Archaeology and Anthropology).

The Way of Non-Violence

(1950s), interview with French religious leader André Trocmé, who helped rescue thousands from Nazi persecution (Swarthmore College).

Your Home Town

(1937), a portrait of Mooresville, North Carolina, by itinerant filmmaker H. Lee Waters (Mooresville Public Library).