2011 Federal Grants

8 Flags for 99 Cents

(1970), Chuck Olin’s profile of a Chicago blue-collar community and the Vietnam War (Chicago Film Archives). Play film

A-1 Airborne Lifeboat

(1944), test footage of the A-1 airborne lifeboat, developed during WWII to rescue downed airmen (National WWII Museum).

Abbot L. Pattison Collection

(1953), footage documenting the creation of Abbott L. Pattison’s marble sculpture Mother and Child on the University of Georgia campus (University of Georgia).

Albina Mural Project

(1977), story of the project by eight Portland artists to create a 120-foot mural in an African American neighborhood. (Portland State University). Play film

The American Bank Note Company

(1915), tour of the high-security plant in the Bronx, New York, which printed currency for the U.S. government (National Museum of American History, Smithsonian Institution).

American Dance Festival

(1959), rehearsals and performances involving works created by Tony Award-winning choreographer Helen Tamiris (American Dance Festival). Play film

Anaconda Copper Mining Company

(1926), film showing the operations and facilities of the company’s Great Falls plant, which at one time employed more than 2,000 people (History Museum, Cascade County Historical Society).

Anaconda Copper Mining Zinc Department

(1926), tutorial on zinc processing, set at the company’s Great Falls facility (History Museum, Cascade County Historical Society).

August Camp Collection

(1950–53), trips among New England’s peaks, as filmed by one of the nation’s oldest conservation organizations (Appalachian Mountain Club).

Barron Richter Collection

(1971-76), home movies made during the early years of Walt Disney World (University of Central Florida).

The Black Artists

(1974), film survey of African American art by Samella S. Lewis (Emory University).

Captain Voyeur

(1969), John Carpenter’s first film as a USC film student (University of Southern California, Moving Image Archive).

Catskill Honeymoon

(1950), feature film about a couple’s 50th wedding anniversary at a resort hotel, featuring an eclectic range of comedy and musical acts in Yiddish and English (Southern Methodist University). Play film

The Chemical Ballet

(1939), filmed performance of a dance created by choreographer Carol Lynn and the Johns Hopkins Chemistry Department for a meeting of the Maryland Chapter of the American Chemical Society (Johns Hopkins University).

Coast Redwoods and Schulman Coring on Mt. Lemmon

(1930s), research films by A.E. Douglass, the scientist who introduced tree ring dating to Southwest archaeology (University of Arizona).

Contractile Force

(1948), heart experiment film (Medical University of South Carolina). Play film

Cowgirls Shopping

(ca. 1940), promotional film for Tucson’s Steinfield department store, showing Ettore “Ted” DeGrazia painting designs on western-style skirts (Arizona Historical Society).

The Cradle Is Rocking

(1967), jazz documentary created for the United States Information Agency featuring trumpeter George “Kid Sheik” Cola (Folkstreams). Play film

Cyrus Pinkham Collection

(ca. 1938), four scripted films from the amateur filmmaker (Northeast Historic Film). Play film

Diary of an African Nun

(1977), Julie Dash’s adaptation of the Alice Walker short story (UCLA Film & Television Archive).

Drive In: Second Feature

(1982), film loop from Roger Welch’s sculptural installation (Guggenheim Museum).

Druid Hill Park Zoo

(1927), home movies taken at one of the oldest zoos in America (Maryland Historical Society).

Elmer Albinson Collection, Part 2

(1936), second part of a home movie collection documenting a mortician’s honeymoon in Ecuador and Peru (Science Museum of Minnesota).

Elsa Rogo in Mexico

(1930s), footage taken by the American painter near Taxco, where she founded an art school for children (Archives of American Art, Smithsonian Institution). Play film

Fair of the Iron Horse

(1927), home movie of the centenary exposition for the Baltimore & Ohio Railroad, the nation’s first common carrier railroad (Maryland Historical Society).

Fidel!

(1969), Saul Landau’s up-close documentary profile of Cuban leader Fidel Castro (University of California, Riverside).

For Liberty and Union

(1977), sponsored film about the creation of the state of West Virginia at the beginning of the American Civil War (West Virginia State Archives).

From Romance to Ritual

(1985), Peggy Ahwesh’s ironic film essay exploring women’s roles (Bard College).

A Frontier Post

(1925), Fox Varieties newsreel portrait of the Buffalo Soldier regiment of Fort Huachuca, Arizona (University of South Carolina, Moving Image Research Collections).

George Wallace and California: The Beginning

(1967), campaign film made for the Alabama governor’s 1968 presidential bid as the American Independent Party candidate (Alabama Department of Archives and History).

The Golden Mirror

(1968), film sponsored by Anheuser-Busch to commemorate the 50th Anniversary of the American Legion, the nation’s largest veterans service organization (University of North Carolina School of the Arts).

H. Lee Waters in Burlington

(1939–40), profile of the Carolina town (North Carolina State Archives). Play film

I & I

(1979), Ben Caldwell’s mystical mediation about Black Nationalism and African myth (UCLA Film & Television Archive).

Inaugural New Orleans Jazz & Heritage Festival

(1970), Don Perry’s footage of the first festival, including performances by Duke Ellington and Mahalia Jackson (Louisiana State Museum).

John Ford Home Movies

(1941-48), footage of home and work from the legendary director, including location scouting for The Three Godfathers and a Mexican fishing trip with John Wayne (Indiana University).

John Jacob Niles

(1978), portrait of the famed balladeer whose music helped shape the American folk music revival of the 1950s and 1960s. (Appalshop). Play film

Kidnapped

(1978), Eric Mitchell’s first feature (Anthology Film Archives).

Kol Nidre

(1939), Yiddish-language musical, directed by Joseph Seiden, exploring assimilation and generational conflict (National Center for Jewish Film).

Lawrence H. Cool Collection

(1930s), home movies shot in Platte, South Dakota by a local businessman (South Dakota State Archives).

Les Sylphides

(1952), filmed performance of ballerina Jane Ward Murray (Johns Hopkins University).

The Lost 40 Days

(1986), Carl George’s desert fantasy featuring costumes by Gordon Stokes Kurtti (Allied Productions).

The Lumberjack

(1914), short made in Wausau, Wisconsin, by the Paragon Feature Film Company and featuring town residents (Wisconsin Center for Film and Theater Research). Play film

The Magic Beauty Kit

(1973), documentary short contrasting the “glamour girl” ideal pitched to housewives during a cosmetics demonstration with the reality of their lives (New York Public Library).

Marathon

(1965), Robert Gardner’s documentary of the 1964 Boston Marathon, capturing the pulse of the city as the event unfolds (Studio7Arts).

Marie Dickerson Coker Collection

(1942–53), home movies by the African American jazz musician, including scenes filmed in Honolulu after Pearl Harbor (Mayme A. Clayton Library & Museum). Play film

Martina's Playhouse

(1989), experimental film by Peggy Ahwesh about a young girl trying out future roles (Bard College).

A Matter of Opportunity

(1968), Chuck Olin film, shot at Howard University Hospital and sponsored by two professional associations, about opening up medicine to African Americans (Chicago Film Archives). Play film

Native Life in the Philippines

(1913), propagandistic survey produced by Dean Conant Worcester, an American official stationed in the islands (University of Pennsylvania Museum of Archaeology and Anthropology).

Now We Live on Clifton

(1974), film, produced for use in the classroom, designed to help inner city children deal with gentrification (Kartemquin Films).

Oedipus Grecian Games

(1976), amateur film of the Blue Max Motorcycle Club (ONE National Gay & Lesbian Archives).

Operation Breadbasket

(1969), actor Robert Culp’s documentary about the Southern Christian Leadership Conference’s program to create jobs for African Americans in Chicago (George Eastman Museum). Play film

Opportunity for Arkansas—The Buffalo National River

(ca. 1964), film by conservation activist Dr. Neil Compton, made to rally public support for the protection of the Buffalo River (University of Arkansas). Play film

Penitentes

(ca. 1978), amateur film documenting the secret Catholic society of flagellants in New Mexico and Colorado (Colorado State University-Pueblo).

Ralph Kirkpatrick

(1953), performance by the influential harpsichordist, filmed for Carnegie Hall by Academy Award-winning documentarian Robert Snyder (Carnegie Hall Archives).

Rapid River Races

(1940), scenes from the first National White Water Championship, held on the Rapid River in Maine (Northeast Historic Film). Play film

Roger King Collection

(1941–42), home movies of the Chapel Hill campus as it ramped up to train military personnel for World War II service (University of North Carolina at Chapel Hill).

Rosebud County Fair and Rodeo

(1926), home movies by an entrepreneurial photographer from Forsyth, Montana (Montana Historical Society). Play film

Story Sloane Collection

(1915–25), events filmed in and around Houston (Texas Archive of the Moving Image). Play film

Trick Bag

(1974), short in which Vietnam veterans, gang members, and young factory workers recount personal experiences with racism (Kartemquin Films).

Uksuum Cauyai: The Drums of Winter

(1977–88), National Film Registry documentary about the Yup’ik Eskimo of Emmonak, Alaska (University of Alaska Fairbanks).

A Weave of Time

(1986), portrait of four generations of a Navajo family (National Museum of Natural History, Smithsonian Institution).

We’re in the Movies

(1940), town portrait made by the John B. Rogers Company for the Exchange Club of Traverse City, Michigan, to help raise money for disadvantaged children (History Center of Traverse City).

We Were There

(1976), Pat Rocco’s documentary about gay pride celebrations in San Francisco and Los Angeles during the year of the American bicentennial (UCLA Film & Television Archive).

With Allenby in Palestine and Lawrence in Arabia

(1919), Lowell Thomas’s travelogue following the British campaign in Palestine and the exploits of T. E. Lawrence, “Lawrence of Arabia” (Marist College).

WLS Farm Progress Show

(1953–55), documentation of the agricultural trade show, including performers from Chicago’s WLS Radio National Barn Dance show (Country Music Hall of Fame and Museum).

The Work of Elizabeth Catlett

(1975), portrait of the African American expressionist (Emory University).