2012 Federal Grants

33 Yo-Yo Tricks

(1976), cult film by P. White (Harvard Film Archive).

About Jumping

(1969–70), training film produced for the International Equestrian Institute (Morven Park).

Adaptive Behavior of Golden-Mantled Ground Squirrels

(1942), educational film (University of Oregon).

Adventures in Kit Carson Land

(1917 and 1972), early footage, later edited by a collector, promoting New Mexico tourism and including a visit with the Taos Society of Artists (New Mexico State Records Center and Archives).

Amahl and the Night Visitors

(early 1950s), the Peabody Institute’s interpretation of the “Shepherds’ Dance” from the first made-for-television opera (Johns Hopkins University).

Apache Indian Camp Life Among the White Mountain Apaches in Arizona

(1940), educational film by Southwest photographer Tad Nichols (Northern Arizona University). Play film

Baby Doll

(1982), go-go dancers preparing for work, as seen by Tessa Hughes-Freeland (Anthology Film Archives).

Ballet

(1968), early performance film of Trisha Brown (Trisha Brown Dance Company).

Bedtime Story

(1981), found-footage horror film by Esther Shatavsky (Anthology Film Archives).

Bonhiver Films

(1939), home movies shot by two brothers traveling in Europe on the eve of WWII, including footage of a Hitler Youth rally and the rescue of a torpedoed ship (National WWII Museum).

The Boy Mayor

(1914), Progressive-Era short profiling Portland, Oregon’s juvenile government system, and teenage mayor Eugene J. Rich (Oregon Historical Society). Play film

Buffalo Bill at the Irma and the Oilfield

(1914), footage shot in Cody, Wyoming (Buffalo Bill Center of the West).

Candy Manufacturing in San Diego

(1924), industrial film documenting the steps in making sweets at the Showley Bros. factory (San Diego History Center).

Charles Norman Shay Collection

(1955–62), home movies by a Penobscot tribal elder (Northeast Historic Film).

Charles Smith’s Block Painting

(1960), demonstration by the Virginia-born printmaker (University of Virginia).

Cinchona Mission in Lima, Peru

(1943–45), home movies by botanist Walter Henricks Hodge documenting his travels and search for a high-quality source of quinine during World War II (Hunt Institute for Botanical Documentation, Carnegie Mellon University).

Coppelia

(1954), the second act of the celebrated ballet, as choreographed by the Peabody Institute’s Carol Lynn (Johns Hopkins University).

The Corner

(1963), profile of the Vice Lords, a Chicago street gang (Chicago Film Archives). Play film

Cyclopean Perception

(1973), early computer-generated film by cognitive scientist Béla Julesz, edited by Lillian Schwartz (Rutgers University).

Dawson

(1917 and 1972), portrait of the coal-mining town in its prime, later edited by a collector (New Mexico State Records Center and Archives).

A Day in Santa Fe

(1931), Lynn Riggs’s story following a burro as it travels the town delivering firewood (New Mexico State Records Center and Archives).

Drifting

(1923), Todd Browning’s underworld saga about opium smuggling in China, starring Priscilla Dean, Wallace Beery, and Anna May Wong (George Eastman Museum).

Drum City

(ca. 1980), rhythmic ride on a New York City bus, by Beryl Sokoloff (Phoenix Arts Alliance).

The Eastern Cherokee

(1927), dance performances by North Carolina’s Eastern Band of Cherokee (University of Pennsylvania Museum of Archaeology and Anthropology).

Ernest Beane Collection

(1935-46), home movies shot by a Pullman porter at home and during his travels (African American Museum, Oakland Public Library ).

Everly Brothers Home Movies

(ca. 1957–58), home movies of family and performances, with appearances by Roy Orbison and Buddy Holly (Country Music Hall of Fame and Museum).

Exploring the Top of the World

(1934–36), of Brooke Dolan’s expedition to the Himalayas (Academy of Natural Sciences).

George T. Keating Home Movies

(ca. 1929), only known footage of novelist Ford Madox Ford (Washington University in St. Louis).

George Wallace Gubernatorial Campaign

(1962), sound footage taken during the campaigner’s first successful run for governor of Alabama (Alabama Department of Archives and History).

George Wallace Rally

(1958), sound footage documenting a speech in Mobile during Wallace’s first bid for his state’s Democratic gubernatorial nomination (Alabama Department of Archives and History).

Harris H. Stilson Collection

(1929–1931), home movies of a streetcar conductor’s travels around Richmond and rural Virginia (Virginia Commonwealth University).

Harvey Milk Campaigning

(1973), footage of a Castro Street rally during the candidate’s first run for San Francisco supervisor (UCLA Film & Television Archive).

Hollywouldn’t

(1925), film industry satire spoofing a penny-pinching studio and star-struck fans (George Eastman Museum). Play film

Hudson Bay

(1927), Frank Speck’s ethnographic study of the Innu people (University of Pennsylvania Museum of Archaeology and Anthropology).

Illusions

(1982), fictionalized tale, by Julie Dash, about a female movie executive who passes as white (UCLA Film & Television Archive).

Instant Guide to Synanon

(1973), profile of the controversial peer-led drug rehabilitation program, made by the program’s in-house film unit (UCLA Library). Play film

In the Bag

(1981), cinematic search for a mysterious object, by Amy Taubin (Anthology Film Archives).

John Kenneth Caldwell Collection

(1930s), home movies shot by an American diplomat in China and Thailand (Hoover Institution, Stanford University). Play film

Last Night We Attacked

(1947), argument for the use of violence in the struggle to create Israel (National Center for Jewish Film).

The Last Reel

(1986), Arthur Smith’s home movie of his daily routine in Big Bear, California (Center for Home Movies).

Last Run of the Chili Line

(1941), documentation of one of the last trips of a narrow-gauge railroad connecting Santa Fe to Embudo (New Mexico State Records Center and Archives).

Les Girls

(ca. 1980), New York’s 28th Street, as filmed by Beryl Sokoloff from his apartment window (Phoenix Arts Alliance).

Liferaft Earth

(1969), activist documentary by Robert Frank and Danny Lyon spotlighting a protest against world hunger (Museum of Fine Arts, Houston).

Lord Thing

(1969), fictionalization of the rise of the Vice Lords gang in Chicago (Chicago Film Archives). Play film

Lost Ceremonies of the Hopi Cliff Dwellers

(1958), introduction to Hopi history and culture created by Milo Billingsley with footage of his Hopi Dance Troupe (Verde Valley Archaeology Center).

LSD

(ca. 1962), avant-garde film by Jordan Belson (Center for Visual Music).

Man Power

(1930), town booster film created to lure back businesses to Council Bluffs, Iowa (Council Bluffs Public Library). Play film

Man Walking Down Side of Building

(1970), documentation of the celebrated Wooster Street performance (Trisha Brown Dance Company).

Maze

(ca. 1980), film by Beryl Sokoloff, imagining a New York populated by animated sculptures (Phoenix Arts Alliance).

Memories on Film

(1979), Arthur Smith’s look back at a life of moviemaking (Center for Home Movies).

A Midsummer Night's Dream

(1962), filmed performance by Peabody Institute students under the direction of Mattlyn Gavers, the Metropolitan Opera Company’s ballet mistress (Johns Hopkins University).

Mission to Mongo

(1973), study of film, politics, and Chinese culture by J. Hoberman (Anthology Film Archives).

Montana…Land of the Big Sky

(1973), tour of the state’s recreational offerings, narrated by Montana native Chet Huntley (Montana Historical Society). Play film

Mutable Fire!

(1984), found-footage film by Bradley Eros (Anthology Film Archives).

Navajo Indian Life

(1939–40), educational film by Tad Nichols (Northern Arizona University). Play film

Parson Sue

(1912), Solax Company comedy about a female minister in a mining camp (Keene State College).

The Pittsburgh Trilogy

(1983), Peggy Ahwesh’s portrait of local eccentrics (Anthology Film Archives).

Punish or Train

(1937), film created by the Whittier State School for Boys to put a favorable spin on its infamous juvenile correction programs (California State Archives). Play film

Pyrotechnics

(1985), surreal science fiction by Bradley Eros (Anthology Film Archives).

Radio Adios

(1982), avant-garde film by Henry Hills (Anthology Film Archives).

Rainbow Black: Poet Sarah W. Fabio

(1976), portrait of the artist by her daughter (Black Film Center/Archive, Indiana University).

Raymond Rogers Home Movies

(1940s), documentation of major events in Portland, Oregon (Oregon Historical Society). Play film

Salmon Fishery in Alaska

(ca. 1922), documentary showing the steps in catching and canning salmon, to be preserved as a class project by the students of the L. Jeffrey Selznick School of Film Preservation (George Eastman Museum).

Schultz’s Lottery Ticket

(1913), Crystal Film Company comedy short (University of Southern California, Moving Image Archive).

Shades and Drumbeats

(1964), Andrew Meyer’s tale of unrequited love (Film-Makers' Cooperative).

The Shalako Ceremony at Zuni, New Mexico

(1925), documentation of winter solstice rituals (American Museum of Natural History).

Silkscreens

(1978), Katy Martin’s behind-the-scenes portrait of printmakers creating an edition of Jasper Johns’s The Dutch Wives, with an electronic soundtrack by Richard Teitelbaum (Anthology Film Archives).

Sonata, Girls at Evergreen and Prelude, Chopin Sonata “Pathetique”, Evergreen

(early 1930s), two outdoors dance performances filmed at the Evergreen House, now part of Johns Hopkins (Johns Hopkins University).

Steamboat Winter Carnival

(1948), home movie showing the 35th annual Steamboat Springs winter festival (Colorado Snowsports Museum).

The Sun Project

(1956), recently rediscovered film collaboration between sculptor Richard Lippold and composer John Cage, edited from instructions created by chance (John Cage Trust).

That Other Girl

(1913), Crystal Film Company comedy short with Pearl White (University of Southern California, Moving Image Archive).

Transplantation of Organs

(1963), documentation of two pioneering operations performed by UM’s first professor of surgery, Dr. James D. Hardy (University of Mississippi Medical Center).

Troy Youmans Collection

(1940s–50s), home movies of downtown Atlanta, including the 1946 Winecoff Hotel Fire (Atlanta History Center).

Verde Canyon and the Cliff Dwellings of Arizona

(ca. 1918), travelogue from the Essanay Film Manufacturing Company, to be preserved as a class project by the students of the L. Jeffrey Selznick School of Film Preservation (George Eastman Museum).

A Visit to the Largest Copper Smelter in the World

(ca. 1918), industrial short showing the United Verde Copper Company near Clarkdale, Arizona. (George Eastman Museum).

Viva La Causa

(1974), reflection on Chicago’s vibrant mural movement, based on interviews with residents (Kartemquin Films).

Vorkapich Home Movies

(1940), playful family montage by the experimental filmmaker who headed the USC School of Cinematic Arts from 1949 to 1951 (University of Southern California, Moving Image Archive). Play film

Vortex Presentation Reels

(1957-59), presentation created by Jordan Belson for the Vortex concerts held at San Francisco’s Morrison Planetarium (Center for Visual Music).

Wethersfield’s Tercentenary Parade

(1934), color footage of the 300th-year anniversary celebrations of a Connecticut town (Wethersfield Historical Society). Play film

Winnie Wright, Age 11

(1974), insiders’ view of Chicago’s Cage Park, a neighborhood in transition (Kartemquin Films).

Wisconsin Family Vacation

(ca.1937–43), home movies of a railroad trip to the 1939 Golden Gate International Exposition (Wisconsin Center for Film and Theater Research). Play film

Wisconsin National Guard

(ca. 1917), footage of the regiment preparing for WWI service after duty on the Mexican border (Wisconsin Historical Society).

Yaqui Easter Celebration

(1941–42), documentation by Tad Nichols of a seven-week tribal ceremony and fiesta (Northern Arizona University). Play film