(1965),
educational film using the gallery’s collection to trace the development of American painting, created by J. Carter Brown and narrated by Burgess Meredith
(National Gallery of Art).
(1994),
Herb E. Smith’s documentary on the loss of thousands of coal mining jobs in Appalachia and the efforts of its citizens to rebuild their communities
(Appalshop).
Bitter Melons
(1971),
documentary by John Marshall on the music and dance of a band of the /Gwi San people of southern Africa
(Documentary Educational Resources).
Bottle Feeding Dwarf Leopards and Tayras, British Guiana
(1959),
documentary on calligrapher John Howard Benson, assembled from footage shot by Robert Flaherty and Richard Leacock
(Rhode Island School of Design).
David Scott at the 50th Indianapolis 500
(1966),
color footage shot by the NASA astronaut and seventh person to walk on the Moon
(Emory University).
Demon Lover Diary
(1980),
Joel DeMott’s caustic behind-the-scenes documentary on the production of a low-budget horror film
(Chicago Film Society).
Department of Tropical Research Activities, Bermuda
(1939),
sponsored film on the benefits of crop rotation to farmers around Clarksville, Tennessee, created by the local bank
(Knox County Public Library).
Frank Kameroff Moves Into a New Home
(1971),
filmed protest by a Yu’pik elder on inadequate housing administered by the state government to the residents of Emmonak, Alaska
(Alaska Moving Image Preservation Association).
Freewheelin’
(1976),
sponsored film from B.F. Goodrich, documenting the 1976 “National Truck-In” at Bowling Green, Kentucky
(Hagley Museum and Library).
Play film
(1977),
documentary examination of the issues faced by lesbian mothers in keeping custody of their children
(UCLA Film & Television Archive).
Israel
(1954–57),
footage of arriving refugees, the opening of a JDC-sponsored home for the aged, and a kibbutz wedding attended by David Ben Gurion
(American Jewish Joint Distribution Committee).
(1971),
filmed procession through downtown Atlanta, with eulogy by Mayor Sam Massell
(Atlanta History Center).
Mayor Marvin—Syracuse, a Successful City
(1941),
sponsored film promoting Mayor Rolland Marvin, who served the New York city from 1930 to 1941
(Onondaga Historical Association).
Mississippi Triangle
(1984),
examination of the intersections and power relations of racial communities in the Mississippi Delta region, using three film crews, each from a different ethnic community
(Third World Newsreel).
Novo Dextro: Purity and Danger
(1982),
Bill Stamets’ documentary on an American Nazi Party rally in Chicago and its protesters
(Chicago Film Archives).
Play film
N/um Tchai: A Celebration of the Dance of the !Kung Bushmen
(1969),
John Marshall’s documentary of an all-night healing dance performed by the Ju/hoansi people of southern Africa
(Documentary Educational Resources).
(2000),
Herb E. Smith’s feature-length portrait of the bluegrass legend and his musical roots
(Appalshop).
Rox Sox Disco Sux
(1979),
experimental documentary by Bill Stamets of Chicago’s notorious “Disco Demolition Night”
(Chicago Film Archives).
Play film
Rudy Lozano
(1983),
Bill Stamets’ examination of southside Chicago’s response to the murder of the Mexican American labor rights activist
(Chicago Film Archives).
Play film
(1960),
fictional short filmed on Rikers Island by City College of New York film students and staff for the NYC Department of Correction
(Yale Film Archive).
Some Problems of Women
(1971),
filmed discussion by five Yu’pik women on the difficulties of household economics and suggestions for changes to food stamps and other programs
(Alaska Moving Image Preservation Association).
The Story of a Smile
(1952),
JDC-sponsored film on a kindergarten in Tunisia whose staff use methods from the JDC’s Paul Baerwald School of Social Work
(American Jewish Joint Distribution Committee).
(1972),
warning to American steelworkers about foreign competition, co-sponsored by the United Steelworkers Union and several steel companies
(Hagley Museum and Library).
Play film
The White Heather
(1919),
silent melodrama directed by Maurice Tourneur, climaxing in an underwater fight filmed through the Williamson Submarine tube
(San Francisco Silent Film Festival).