NFPF News

NFPF-Preserved Films at the Century of 16mm Conference

Multiple SIDosis (1970), one of eight films screening in the Century of 16mm program “16mm Orphan Films Preserved through the National Film Preservation.”

In 1923 Eastman Kodak introduced 16mm nonflammable film and radically changed the history of filmmaking, which became affordable and feasible to millions. The new format facilitated the rise of home movies and amateur moviemaking. Filmmaking was no longer the preserve of well-heeled industries—16mm democratized it.

To celebrate this momentous anniversary, the Indiana University Libraries Moving Image Archive has organized “A Century of 16mm,” which includes an academic conference, commissioned films, exhibitions of 16mm technologies, and screenings.

Among the conference programs, scheduled for Thursday, September 14th, is “16mm Orphan Films Preserved through the National Film … Read more

The NFPF teams with Silent Movie Day to screen THE UNKNOWN

Lon Chaney gives his most disarming performance in The Unknown (1927), screening at nine Alamo Drafthouse Cinemas on Sept. 30th.

To celebrate silent film history and raise funds for film preservation, the National Film Preservation Foundation and Silent Movie Day are joining forces to present a special screening of Tod Browning’s macabre masterpiece, The Unknown. Featuring Lon Chaney and Joan Crawford, the film will screen on Saturday, September 30th—the day after Silent Movie Day—at nine Alamo Drafthouse Cinemas throughout the USA. Proceeds from the screening will go to support the NFPF’s preservation efforts. You can donate to the NFPF directly by clicking here.

Directed by horror legend Tod Browning and released in 1927, The Unknown is a highwater mark of Browning’s silent-era work and one of ten films he made with Lon Chaney. Set in … Read more

Four NFPF-Preserved Films Unspooling at the San Francisco Silent Film Festival

Norma Shearer going mad in Man and Wife (1923), preserved by UCLA Film & Television Archive.

Next week the 26th installment of the San Francisco Silent Film Festival opens in San Francisco’s Castro Theatre. Four of the films have been preserved through grants administered by the National Film Preservation Foundation.

On Thursday, July 13, Doll Messengers of Friendship (1929) will screen during the free “Amazing Tales from the Archives” program. This short film commemorates a doll exchange between the U.S. and Japan that was initiated by the Committee on World Friendship Among Children. 58 dolls commissioned by the Japanese government from master doll makers toured the U.S. and were acclaimed as works of art. Doll Messengers of Friendship was screened at the local doll exchange ceremonies that comprised the tour. The surviving 9-minute … Read more

"The Oath of the Sword" Screens at the Academy Museum

On Sunday, May 28 the Academy Museum of Motion Pictures will screen The Oath of the Sword (1914), a three-reel silent drama preserved with National Film Preservation Foundation support. Made by the Japanese Film Company and featuring an all-Japanese leading cast, The Oath of the Sword is the earliest known Asian American film production. It is an important and rare surviving exemplar of an under-explored part of early Asian American film history: movies made by and for Japanese Americans.

The Oath of the Sword (1914) preserved by the Japanese American National Museum and George Eastman Museum with NFPF support.

The Oath of the Sword tells the tragic story of lovers separated when an ambitious young man leaves his beloved in Japan to study abroad at the University of California, Berkeley. It contrasts the morals of traditional Japanese society with the forces of … Read more

Three NFPF Films at the UCLA Festival of Preservation

The Bus (1965) by Haskell Wexler.

Taking place May 20–22, the UCLA Festival of Preservation showcases the variety of recent preservation work by the UCLA Film & Television Archive. The 20th edition of the Festival includes 10 features, seven shorts and four television programs. Among those shorts are three titles preserved through recent NFPF grants, all screening on Saturday, May 21.

Hey, Mama (1967) is a cinéma vérité documentary about African American life in the Oakwood neighborhood of Venice, California. It was directed and edited by Vaughn Obern, a white UCLA film student who spent six months in the neighborhood. Aware of his own status as an outsider, Obern immersed viewers in the daily lives of Oakwood’s working-class community and demonstrated the conditions created by structural racism. The film won second prize in the documentary category of the Fourth Annual … Read more